Refraction & Dispersion in a Raindrop

$0.00

This is one of a set of almost 40 diagrams exploring Rainbows.


Each diagram appears on a separate page and is supported by a full explanation.

  • Follow the links embedded in the text for definitions of all the key terms.
  • For quick reference don’t miss the summaries of key terms further down each page.

Description

Refraction & Dispersion in a Raindrop

TRY SOME QUICK QUESTIONS AND ANSWERS TO GET STARTED
Yes! Every wavelength of light is affected to a different degree by the refractive index of a transparent medium and as a result, changes direction by a different amount when passing from air to water or water to air.
Refraction refers to the way light changes speed and direction as it travels across the interface between one transparent medium to another.
Chromatic dispersion refers to the way that light separates into its component wavelengths (and so colours), under certain conditions.
Yes! Light travels faster in air than in water.
Rainbows are at their best early morning and late afternoon when a shower has just passed over and the Sun is illuminating the curtain of raindrops formed on the trailing edge of the falling rain.

About the diagram

Overview of raindrops

An idealized raindrop forms a sphere. These are the ones that are favoured when drawing diagrams of both raindrops and rainbows because they suggest that when light, air and water droplets interact they produce predictable and replicable outcomes.

  • In real-life, full-size raindrops don’t form perfect spheres because they are composed of water which is fluid and held together solely by surface tension.
  • In normal atmospheric conditions, the air a raindrop moves through is itself in constant motion, and, even at a cubic metre scale or smaller, is composed of areas at slightly different temperatures and pressure.
  • As a result of turbulence, a raindrop is rarely in free-fall because it is buffeted by the air around it, accelerating or slowing as conditions change from moment to moment.
  • The more spherical raindrops are, the better defined is the rainbow they produce because each droplet affects incoming sunlight in a consistent way. The result is stronger colours and more defined arcs.
Real-life raindrops
  • Raindrops start to form high in the atmosphere around tiny particles called condensation nuclei — these can be composed of particles of dust and smoke or fragments of airborne salt left over when seawater evaporates.
  • Raindrops form around condensation nuclei as water vapour cools producing clouds of microscopic droplets each of which is held together by surface tension and starts off roughly spherical.
  • Surface tension is the tendency of liquids to shrink to the minimum surface area possible as their molecules cohere to one another.
  • At water-air interfaces, the surface tension that holds water molecules together results from the fact that they are attracted to one another rather than to the nitrogen, oxygen, argon or carbon dioxide molecules also present in the atmosphere.
  • As clouds of water droplets begin to form, they are between 0.0001 and 0.005 centimetres in diameter.
  • As soon as droplets form they start to collide with one another. As larger droplets bump into other smaller droplets they increase in size — this is called coalescence.
  • Once droplets are big and heavy enough they begin to fall and continue to grow. Droplets can be thought to be raindrops once they reach 0.5mm in diameter.
  • Sometimes, gusts of wind (updraughts) force raindrops back into the clouds and coalescence starts over.
  • As full-size raindrops fall they lose some of their roundness, the bottom flattens out because of wind resistance whilst the top remains rounded.
  • Large raindrops are the least stable, so once a raindrop is over 4 millimetres it may break apart to form smaller more regularly shaped drops.
  • In general terms, raindrops are different sizes for two primary reasons,  initial differences in particle (condensation nuclei) size and different rates of coalescence.
  • As raindrops near the ground, the biggest are the ones that bump into and coalesce with the most neighbours.
About the diagram

This diagram considers what happens to a ray of incident light that contains wavelengths corresponding with red, green and blue when it strikes a raindrop.

  • It shows that refraction causes chromatic dispersion as each wavelength changes direction by a different amount.
  • The effects of refraction, reflection and dispersion all help to explain why rainbows appear when sunlight strikes falling rain.
  • Remember that when light strikes the boundary between two different media it may be partially reflected and partially refracted.
  • If both reflection and refraction take place:
    • A proportion of the light bounces off the surface of the new medium and returns into the medium from which it originated.
    • A proportion crosses the boundary and undergoes refraction, so changes speed and direction.
    • To delve a bit further into the diagram let’s go on to review the three key concepts, refraction, chromatic dispersion and scattering.
Refraction
No posts found.
Chromatic dispersion
No posts found.
Scattering
No posts found.

Some key terms

The spectral colour model represents the range of pure colours that correspond to specific wavelengths of visible light. These colours are called spectral colours because they are not created by mixing other colours but are produced by a single wavelength of light. This model is important because it directly reflects how human vision perceives light that comes from natural sources, like sunlight, which contains a range of wavelengths.

  • The spectral colour model is typically represented as a continuous strip, with red at one end (longest wavelength) and violet at the other (shortest wavelength).
  • Wavelengths and Colour Perception: In the spectral colour model, each wavelength corresponds to a distinct colour, ranging from red (with the longest wavelength, around 700 nanometres) to violet (with the shortest wavelength, around 400 nanometres). The human eye perceives these colours as pure because they are not the result of mixing other wavelengths.
  • Pure Colours: Spectral colours are considered “pure” because they are made up of only one wavelength. This is in contrast to colours produced by mixing light (like in the RGB colour model) or pigments (in the CMY model), where a combination of wavelengths leads to different colours.
  • Applications: The spectral colour model is useful in understanding natural light phenomena like rainbows, where each visible colour represents a different part of the light spectrum. It is also applied in fields like optics to describe how the eye responds to light in a precise, measurable way.

A rainbow is an optical effect produced by illuminated droplets of water. Rainbows are caused by reflection, refraction (bending) and dispersion (spreading out) of light in individual droplets and result in the appearance of an arc of spectral colours.

  • Atmospheric rainbows only appear when weather conditions are ideal and an observer is in the right place at the right time.
  • Waterfalls, lawn sprinklers and other things that produce air-borne water droplets can produce a rainbow.
  • An atmospheric rainbow is formed from countless individual droplets each of which reflects and refracts a tiny coloured image of the Sun towards the observer.
  • As white light passes through water droplets, refraction causes the light to disperse and separate into the different colours seen by an observer.
  • If the sun is behind an observer then the rainbow will appear in front of them.
  • When a rainbow is produced by sunlight, the angles between the sun, each droplet and the observer determine which ones will form part of the rainbow, the colour each droplet will produce and the sequence in which they appear.

Rainbow colours are the colours seen in rainbows and in other situations where visible light separates into its different wavelengths and the spectral colours corresponding with each wavelength become visible to the human eye.

  • The rainbow colours (ROYGBV) in order of wavelength are red (longest wavelength), orange, yellow, green, blue and violet (shortest wavelength).
  •  It is the sensitivity of the human eye to this small part of the electromagnetic spectrum that results in our perception of colour.
  • The names of rainbow colours are a matter more closely related to the relationship between perception and language than anything to do with physics or scientific accuracy. While the spectrum of light and the colours we see are both determined by wavelength, it’s our eyes and brains that turn these differences in light into the colours we experience.
  • In the past, rainbows were sometimes portrayed as having seven colours: red, orange, yellow, green, blue, indigo and violet.
  • Modern portrayals of rainbows reduce the number of colours to six spectral colours, ROYGBV.
  • In reality, the colours of a rainbow form a continuous spectrum and there are no clear boundaries between one colour and the next.

 

 

Incident light refers to light that is travelling towards an object or medium.

  • Incident light refers to light that is travelling towards an object or medium.
  • Incident light may come from the Sun, an artificial source or may have already been reflected off another surface, such as a mirror.
  • When incident light strikes a surface or object, it may be absorbed, reflected, refracted, transmitted or undergo any combination of these optical effects.
  • Incident light is typically represented on a ray diagram as a straight line with an arrow to indicate its direction of propagation.

In the field of optics, dispersion is shorthand for chromatic dispersion which refers to the way that light, under certain conditions, separates into its component wavelengths, enabling the colours corresponding with each wavelength to become visible to a human observer.

  • Chromatic dispersion refers to the dispersion of light according to its wavelength or colour.
  • Chromatic dispersion is the result of the relationship between wavelength and refractive index.
  • When light travels from one medium (such as air) to another (such as glass or water) each wavelength is refracted differently, causing the separation of white light into its constituent colours.
  • When light undergoes refraction each wavelength changes direction by a different amount. In the case of white light, the separate wavelengths fan out into distinct bands of colour with red on one side and violet on the other.
  • Familiar examples of chromatic dispersion are when white light strikes a prism or raindrops and a rainbow of colours becomes visible to an observer.

In physics and optics, a medium refers to any material through which light or other electromagnetic waves can travel. It’s essentially a substance that acts as a carrier for these waves.

  • Light is a form of electromagnetic radiation, which travels in the form of waves. These waves consist of oscillating electric and magnetic fields.
  • The properties of the medium, such as its density and composition, influence how light propagates through it.
  • Different mediums can affect the speed, direction, and behaviour of light waves. For instance, light travels slower in water compared to a vacuum.
  • Examples of Mediums:
    • Transparent: Materials like air, glass, and water allow most light to pass through, with minimal absorption or scattering. These are good examples of mediums for light propagation.
    • Translucent: Some materials, like frosted glass or thin paper, partially transmit light. They allow some light to pass through while diffusing or scattering the rest.
    • Opaque: Materials like wood or metal block light completely. They don’t allow any light to travel through them.

Refraction refers to the way that electromagnetic radiation (light) changes speed and direction as it travels across the boundary between one transparent medium and another.

  • Light bends towards the normal and slows down when it moves from a fast medium (like air) to a slower medium (like water).
  • Light bends away from the normal and speeds up when it moves from a slow medium (like diamond) to a faster medium (like glass).
  • These phenomena are governed by Snell’s law, which describes the relationship between the angles of incidence and refraction.
  • The refractive index (index of refraction) of a medium indicates how much the speed and direction of light are altered when travelling in or out of a medium.
  • It is calculated by dividing the speed of light in a vacuum by the speed of light in the material.
  • Snell’s law relates the angles of incidence and refraction to the refractive indices of the two media involved.
  • Snell’s law states that the ratio of the sine of the angle of incidence to the sine of the angle of refraction is equal to the ratio of the refractive indices.

Reflection is the process where light rebounds from a surface into the medium it came from, instead of being absorbed by an opaque material or transmitted through a transparent one.

  • The three laws of reflection are as follows:
    • When light hits a reflective surface, the incoming light, the reflected light, and an imaginary line perpendicular to the surface (called the “normal line”) are all in the same flat area.
    • The angle between the incoming light and the normal line is the same as the angle between the reflected light and the normal line. In other words, light bounces off the surface at the same angle as it came in.
    • The incoming and reflected light are mirror images of each other when looking along the normal line. If you were to fold the flat area along the normal line, the incoming light would line up with the reflected light.

Diagrams are free to download

Downloads: Slides or Illustrations


DOWNLOAD DIAGRAMS
  • SLIDES are optimized for viewing on-screen.
  • ILLUSTRATIONS are optimized for printing on A4 pages in portrait format.
SLIDES
  • Slides are available in JPG and AI (Adobe Illustrator) file formats.
  • Titles: Slides have titles.
  • Backgrounds: Black.
  • Size: 1686 x 1124 pixels (3:2 aspect ratio).
ILLUSTRATIONS
  • Illustrations are available in JPG and AI two file formats.
  • Titles: No titles.
  • Backgrounds: White.
  • Size: 1686 x 1124 (3:2 aspect ratio). So all illustrations reproduce at the same scale when inserted into Word documents etc.
  • Labels: Calibri 24pt Italic.

File formats: JPG & AI


DOWNLOAD THE DIAGRAM ON THIS PAGE AS A JPG FILE
  • JPG (JPEG) diagrams are 1686 x 1124 pixels (3:2 aspect ratio).
  • If a JPG diagram doesn’t fit your needs, you can download it as an AI (Adobe Illustrator) file and edit it yourself.
  • JPG files can be placed or pasted directly into MS Office documents.
DOWNLOAD THE DIAGRAM ON THIS PAGE AS AN AI file
  • All AI (Adobe Illustrator) diagrams are 1686 x 1124 pixels (3:2 aspect ratio).
  • All our diagrams are created in Adobe Illustrator as vector drawings.
  • Save as or export AI files to other formats including PDF (.pdf), PNG (.png), JPG (.jpeg) and SVG(.svg) etc.

Spelling: UK & US


We use English (UK) spelling by default here at lightcolourvision.org.

COPY & PASTING TEXT
  • After copy/pasting text please do a spell-check to change our spelling to match your own document.
DOWNLOAD DIAGRAMS
  • Download AI versions of diagrams to change the spelling or language used for titles, labels etc.
  • We are adding American English (US) versions of diagrams on request. Just contact us and let us know what you need.
  • When downloading JPG versions of diagrams, look out for JPG (UK) or JPG (US) in the download dialogue box.

Download agreement


DOWNLOAD AGREEMENT

Light, Colour, Vision & How To See More (https://lightcolourvision.org) : Copyright © 2015-2022 : MediaStudies Trust.

Unless stated otherwise the author of all images and written content on lightcolourvision.org is Ric Mann.

ALL RIGHTS RESERVED

No part of this website may be copied, displayed, extracted, reproduced, utilised, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical or otherwise including but not limited to photocopying, recording, or scanning without the prior written permission of MediaStudies Trust.

EXCEPTIONS

Exceptions to the above statement are made for personal, educational and non-profit purposes:

Before downloading, cutting and pasting or reproducing any information, images or other assets found on lightcolourvision.org we ask you to agree to the following terms:

  1. All information, images and other assets displayed and made available for download on the lightcolourvision.org website are copyright. This means there are limitations on how they can be used.
  2. All information, images and other assets displayed or made available for download are solely and exclusively to be used for personal, educational and non-profit purposes.
  3. When you find the resources you need, then part of the download process involves you (the user) ticking a box to let us (at lightcolourvision.org) know we both agree on how the material can be used.
  4. Please contact [email protected] before considering any use not covered by the terms of the agreement above.

The copyright to all information, images and all other assets (unless otherwise stated) belongs to:

The Trustees. MediaStudies Trust
111 Lynbrooke Avenue
Blockhouse Bay
Auckland 0600
New Zealand
[email protected]

We love feedback

Your name and email address will be used solely to provide you with information you have specifically requested. See our privacy policy at https://lightcolourvision.org/privacy/.


We welcome your feedback 🙂









    Note: The feedback form records the URL of the current page


    Thank you so much for your time and effort