Overlapping Beams of G & B Make Cyan

Additive primary colours are three wavelengths of light that produce white when combined together in equal proportions.

Yes! Every colour on an additive colour wheel is produced by mixing light sources with different hues but the same brightness and saturation.

No! Red, green and blue are primary colours within additive colour models and can only be produced by a single wavelength of light.

No! Red, green and blue are primary colours within additive colour models and can only be produced by a single wavelength of light.

RGB colour is an additive colour model in which red, green and blue light is combined to reproduce a wide range of other colours.

• The primary colours in the RGB colour model are red, green and blue.
• In the RGB model, different combinations and intensities of red, green, and blue light are mixed to create various colours. When these three colours are combined at full intensity, they produce white light.
• Additive colour models are concerned with mixing light, not dyes, inks or pigments (these rely on subtractive colour models such as the RYB colour model and the CMY colour model).
• The RGB colour model works in practice by asking three questions of any colour: how red is it (R), how green is it (G), and how blue is it (B).
• The RGB model is popular because it can easily produce a comprehensive palette of 1530 vivid hues simply by adjusting the combination and amount of each of the three primaries it contains.

White light is the term for visible light that contains all wavelengths of the visible spectrum at equal intensities.

• The sun emits white light because sunlight contains all the wavelengths of the visible spectrum in roughly equal proportions.
• Light travelling through a vacuum or a medium is termed white light if it includes all wavelengths of visible light.
• Light travelling through a vacuum or air is not visible to our eyes unless it interacts with something.

• The term white light can have two meanings:
  • It can refer to a combination of all wavelengths of visible light travelling through space, regardless of observation.
  • What a person sees when all colours of the visible spectrum hit a white or neutral-coloured surface.

Primary colours are a set of colours from which others can be produced by mixing (pigments, dyes etc.) or overlapping (coloured lights).

• The human eye, and so human perception, is tuned to the visible spectrum and so to spectral colours between red and violet. It is the sensitivity of the eye to the electromagnetic spectrum that results in the perception of colour.
• A set of primary colours is a set of pigmented media or coloured lights that can be combined in varying amounts to produce a wide range of colours.
• This process of combining colours to produce other colours is used in applications intended to cause a human observer to experience a particular range of colours when represented by electronic displays and colour printing.
• Additive and subtractive models have been developed that predict how wavelengths of visible light, pigments and media interact.
• RGB colour is a technology used to reproduce colour in ways that match human perception.
• The primary colours used in a colour space such as CIELAB, NCS, Adobe RGB (1998) and sRGB are the result of an extensive investigation of the relationship between visible light and human colour vision.

A colour model is a system or framework used to understand, organise, and manipulate colour. It ranges from basic concepts, such as the sequence of colours in a rainbow, to more advanced models like RGB, CMYK, and CIE, which are essential for accurate colour reproduction in various fields, including digital media, printing, and manufacturing.

• A colour model, underpinned by colour theory, provides a precise and replicable approach to understanding:
  • How the human eye perceives light and interprets colour.
  • Different types of colour, including those produced by mixing lights, pigments, or inks.
  • How to manage the diverse ways colour is processed by devices such as cameras, digital screens, and printers.
• Colour models enable us to:
  • Make sense of colour in relation to human vision and the world around us.
  • Use colours in logical, predictable, and replicable ways.
  • Understand how to mix specific colours, whether using lights, pigments, inks, or dyes.
  • Specify colours using names, codes, notations, or equations.
  • Organise and apply colour for different purposes, from fabrics and interiors to vehicles.

• For more information see https://lightcolourvision.org/dictionary/definition/colour-model/

Saturation refers to the perceived difference between one colour and another in terms of its purity and vividness.

• A fully saturated colour appears bright and vibrant because it has a single strong dominant hue.
• A freshly cut tomato is a good example of a saturated colour with a strong red hue.
• A saturated colour is a unique spectral colour produced by a single wavelength (or a narrow band of wavelengths) of light.
• A fully saturated colour (100%) is the purest version of a hue.
• Unsaturated colours (0-10%) can appear:
  • Misty or milky the nearer they are to white.
  • Dull and washed out as their hue disappears leaving achromatic grey tones.
• The hue of a vivid colour appears to be at full strength and can leave an after-image of its complementary colour as an observer looks away.