Chromatic Dispersion in a Prism

Yes! Every wavelength of light is affected to a different degree by the refractive index of a transparent medium and as a result, changes direction by a different amount when passing from air to glass or glass to air.

Every wavelength of light is affected to a different degree by the refractive index of a material and as a result changes direction by a different amount when passing from one medium (such as air) to another (such as glass or water).

Yes! Light separates into different colours during the course of refraction.

Yes! Chromatic dispersion takes place as light crosses the boundary between one transparent medium and another if it has a different refractive index.

Chromatic dispersion refers to the way that light separates into its component wavelengths (and so colours), under certain conditions.

The spectral colour model represents the range of pure colours that correspond to specific wavelengths of visible light. These colours are called spectral colours because they are not created by mixing other colours but are produced by a single wavelength of light. This model is important because it directly reflects how human vision perceives light that comes from natural sources, like sunlight, which contains a range of wavelengths.

• The spectral colour model is typically represented as a continuous strip, with red at one end (longest wavelength) and violet at the other (shortest wavelength).
• Wavelengths and Colour Perception: In the spectral colour model, each wavelength corresponds to a distinct colour, ranging from red (with the longest wavelength, around 700 nanometres) to violet (with the shortest wavelength, around 400 nanometres). The human eye perceives these colours as pure because they are not the result of mixing other wavelengths.
• Pure Colours: Spectral colours are considered “pure” because they are made up of only one wavelength. This is in contrast to colours produced by mixing light (like in the RGB colour model) or pigments (in the CMY model), where a combination of wavelengths leads to different colours.
• Applications: The spectral colour model is useful in understanding natural light phenomena like rainbows, where each visible colour represents a different part of the light spectrum. It is also applied in fields like optics to describe how the eye responds to light in a precise, measurable way.

The angle of refraction measures the angle to which light bends as it passes across the boundary between different media.

• The angle of refraction is measured between a ray of light and an imaginary line called the normal.
• In optics, the normal is a line drawn on a ray diagram perpendicular to, so at a right angle to (90⁰), the boundary between two media.
• See this diagram for an explanation: Refraction of a ray of light
• If the boundary between the media is curved, the normal is drawn perpendicular to the boundary.

Optical density is a measure of how much a material resists and slows the transmission of light.

• The higher the optical density of a material, the slower light travels through it.
• The lower the optical density of a material, the faster light travels through it.
• A vacuum is not a medium and has zero optical density.
• Light travels through a vacuum at the maximum possible speed of light which is 299,792 kilometres per second.
• Optical density and refractive index are related properties.
• In general, materials with higher optical density tend to have higher refractive indices and vice versa.
• The greater the difference in refractive index between two materials, the more they will bend light when they come into contact.

 

 

A light source is a natural or man-made object that emits one or more wavelengths of light.

• The Sun is the most important light source in our lives and emits every wavelength of light in the visible spectrum.
• Celestial sources of light include other stars, comets and meteors.
• Other natural sources of light include lightning, volcanoes and forest fires.
• There are also bio-luminescent light sources including some species of fish and insects as well as types of bacteria and algae.
• Man-made light sources of the most simple type include natural tars and resins, wax candles, lamps that burn oil, fats or paraffin and gas lamps.
• Modern man-made light sources include tungsten light sources. These are a type of incandescent source which means they radiate light when electricity is used to heat a filament inside a glass bulb.
• Halogen bulbs are more efficient and long-lasting versions of incandescent tungsten lamps and produce a very uniform bright light throughout the bulb’s lifetime.
• Fluorescent lights are non-incandescent sources of light. They generally work by passing electricity through a glass tube of gas such as mercury, neon, argon or xenon instead of a filament. These lamps are very efficient at emitting visible light, produce less waste heat, and typically last much longer than incandescent lamps.
• An LED (Light Emitting Diode) is an electroluminescent light source. It produces light by passing an electrical charge across the junction of a semiconductor.
• Made-made lights can emit a single wavelength, bands of wavelengths or combinations of wavelengths.
• An LED light typically emits a single colour of light which is composed of a very narrow range of wavelengths.

An additive colour model explains how different coloured lights (such as LEDs or beams of light) are mixed to produce other colours.

• Additive colour refers to the methods used and effects produced by combining or mixing different wavelengths of light.
• The RGB colour model and HSB colour model are examples of additive colour models.
• Additive colour models such as the RGB colour model and HSB colour model can produce vast ranges of colours by combining red, green, and blue lights in varying proportions.
• An additive approach to colour is used to achieve precise control over the appearance of colours on digital screens of TVs, computers, and phones.

As light crosses the boundary between two transparent media, the law of refraction (Snell’s law) states the relationship between the angle of incidence and angle of refraction of the light with reference to the refractive indices of both media as follows:

When electromagnetic radiation (light) of a specific frequency crosses the interface of any given pair of media, the ratio of the sines of the angles of incidence and the sines of the angles of refraction is a constant in every case.

• Snell’s law deals with the fact that for an incident ray approaching the boundary of two media, the sine of the angle of incidence multiplied by the index of refraction of the first medium is equal to the sine of the angle of refraction multiplied by the index of refraction of the second medium.
• Snell’s law deals with the fact that the sine of the angle of incidence to the sine of the angle of refraction is constant when a light ray passes across the boundary from one medium to another.
• Snell’s law can be used to calculate the angle of incidence or refraction associated with the use of lenses, prisms and other everyday materials.
• When using Snell’s law:
  • The angles of incidence and refraction are measured between the direction of a ray of light and the normal – where the normal is an imaginary line drawn on a ray diagram perpendicular to, so at a right angle to (900), to the boundary between two media.
  • The wavelength of the incident light is accounted for.
  • The refractive indices used are selected for the pair of media concerned.
  • The speed of light is expressed in metres per second (m/s).

Rainbow colours are the colours seen in rainbows and in other situations where visible light separates into its different wavelengths and the spectral colours corresponding with each wavelength become visible to the human eye.

• The rainbow colours (ROYGBV) in order of wavelength are red (longest wavelength), orange, yellow, green, blue and violet (shortest wavelength).
•  It is the sensitivity of the human eye to this small part of the electromagnetic spectrum that results in our perception of colour.
• The names of rainbow colours are a matter more closely related to the relationship between perception and language than anything to do with physics or scientific accuracy. While the spectrum of light and the colours we see are both determined by wavelength, it’s our eyes and brains that turn these differences in light into the colours we experience.
• In the past, rainbows were sometimes portrayed as having seven colours: red, orange, yellow, green, blue, indigo and violet.
• Modern portrayals of rainbows reduce the number of colours to six spectral colours, ROYGBV.
• In reality, the colours of a rainbow form a continuous spectrum and there are no clear boundaries between one colour and the next.

 

 

Wavelength measures a complete wave cycle, which is the distance from any point on a wave to the corresponding point on the next wave.

• While wavelength can be measured from any point on a wave, it is often simplest to measure from the peak of one wave to the peak of the next or from the bottom of one trough to the bottom of the next, ensuring the measurement covers the whole of the cycle.
• The wavelength of an electromagnetic wave is usually given in metres.
• The wavelength of visible light is typically measured in nanometres, with 1,000,000,000 nanometres making up a metre.
• Radio waves, visible light, and gamma waves for example, each have different ranges of wavelengths within the electromagnetic spectrum.

The angle of incidence measures the angle at which incoming light strikes a surface.

• The angle of incidence is measured between a ray of incoming light and an imaginary line called the normal.
• See this diagram for an explanation: Reflection of a ray of light
• In optics, the normal is a line drawn on a ray diagram perpendicular to, so at a right angle to (90⁰), the boundary between two media.
• If the boundary between the media is curved, then the normal is drawn at a tangent to the boundary.